Wit’s End artistic director Cecilia Cackley is currently traveling in South America. While she is gone, Cecilia is keeping a visual journal of the places she visits and shows that she sees. She will be posting pages here occasionally as virtual postcards from her trip.
This blog is going on (partial) hiatus for the next few months while artistic director Cecilia Cackley travels in South America and attends several puppetry festivals. While she is away, Cecilia is keeping a visual journal of her trip and will occasionally be posting pages. Here is a little map of where she is going:
We had our last story meeting of the summer for Malevolent Creatures this past week and we are heading into the fall with many new ideas and renewed energy. If you missed our first workshop in June, keep an eye on this space for more info about our next one. We hope to see you there for some magical puppet encounters!
A roundup of articles, links and videos that we highlighted on Twitter this month.
1. The first book on puppetry I ever bought was by John Wright of The Little Angel Theatre in Islington, London. His wife Lyndie still carves puppets for them and this article about her is just lovely. If you go to London, try to see a show there.
2. As we continue to work on Malevolent Creatures, this website looks intriguing and will hopefully help out our research.
3. At the Edinburgh Fringe Festival this year, the show The Pure, the Dead and the Brilliant took a look at the upcoming Scottish independence referendum through the eyes of four Scottish fairies, including Selkie. Read a review here.
4. Yet another amazing interview with one of the giants of contemporary illustration and a special hero of ours, Shaun Tan.
5. And because really, most things should end with the Muppets, here is Bookriot with a roundup of literary-related Muppet antics. Enjoy!
One of our central principles in creating puppets is to be sustainable wherever possible. We source our materials carefully, using recycled or second-hand supplies as much as we can and we teach others to do the same in our Puppets From Recycled Materials workshop. However, the master of creating puppets this way has to be author-illustrator Ashley Bryan, who just published the book Ashley Bryan’s Puppets with Simon & Schuster.
Bryan, who is 91 years old, lives on one of the Cranberry Isles off the coast of Maine. On his walks on the beach he collects debris and shells, which he turns into intricate puppets in his studio. Ashley Bryan’s Puppets is a large picture book that combines photos of the puppets by Rich Entel with poems by Bryan introducing them to the reader. It opens with a brief author’s note and a picture of Bryan in his studio, which helps to communicate that these puppets are intended as performance, rather than being solely art objects. This is followed by a photo spread of shells, driftwood and sea glass from the beach. The puppets are first shown in groups of around eight, with their names printed below. Then each one is given a spread of close up photos, along with their own poem.
The puppet names are all African in origin and the poems sometimes cite a particular job or character– “I am a cow” “I apprenticed as a printer” –while also specifying the materials used in the creation. “I’ve trained my wishbone whiskers” “My acorn husk eyes” “Head bone, bone face, laughing metal jaws”–all of these lines give the reader a better understanding of the photograph (and the puppet). All of the poems are fun to read aloud and give a good sense of the puppet’s character in performance. This is a beautiful book that will provide inspiration to artists and environmentalists of every age; a celebration of Bryan’s unique artistic vision. I’m looking forward to sharing it with our puppet-making students as part of our workshops!
It’s a project based on stories of the immigrant experience and right now I’m doing lots of interviews with people in Washington DC, Virginia and Maryland. I’ve heard many different perspectives, but everyone seems to agree that the two things that make us long for the places we come from are family and food. I’m looking forward to working on assembling the many moments I’m hearing about into a beautiful shadow play experience!