Postcard #5

Wit’s End artistic director Cecilia Cackley is currently traveling in South America. While she is gone, Cecilia is keeping a visual journal of the places she visits and shows that she sees. She will be posting pages here occasionally as virtual postcards from her trip. 

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Postcard #4

Wit’s End artistic director Cecilia Cackley is currently traveling in South America. While she is gone, Cecilia is keeping a visual journal of the places she visits and shows that she sees. She will be posting pages here occasionally as virtual postcards from her trip. 

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Postcard #3

Wit’s End artistic director Cecilia Cackley is currently traveling in South America. While she is gone, Cecilia is keeping a visual journal of the places she visits and shows that she sees. She will be posting pages here occasionally as virtual postcards from her trip. 

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Postcard #2

Wit’s End artistic director Cecilia Cackley is currently traveling in South America. While she is gone, Cecilia is keeping a visual journal of the places she visits and shows that she sees. She will be posting pages here occasionally as virtual postcards from her trip. 

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Postcard #1

Wit’s End artistic director Cecilia Cackley is currently traveling in South America. While she is gone, Cecilia is keeping a visual journal of the places she visits and shows that she sees. She will be posting pages here occasionally as virtual postcards from her trip. 

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Overseas Adventures

This blog is going on (partial) hiatus for the next few months while artistic director Cecilia Cackley travels in South America and attends several puppetry festivals. While she is away, Cecilia is keeping a visual journal of her trip and will occasionally be posting pages. Here is a little map of where she is going: 

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August Grab Bag

#5 The website Bookriot has excited muppet arms for both books and Muppets!

#5 The website Bookriot has excited muppet arms for both books and Muppets!

A roundup of articles, links and videos that we highlighted on Twitter this month. 

1. The first book on puppetry I ever bought was by John Wright of The Little Angel Theatre in Islington, London. His wife Lyndie still carves puppets for them and this article about her is just lovely. If you go to London, try to see a show there.

2. As we continue to work on Malevolent Creatures, this website looks intriguing and will hopefully help out our research.

3. At the Edinburgh Fringe Festival this year, the show The Pure, the Dead and the Brilliant took a look at the upcoming Scottish independence referendum through the eyes of four Scottish fairies, including Selkie. Read a review here.

4. Yet another amazing interview with one of the giants of contemporary illustration and a special hero of ours, Shaun Tan.

5. And because really, most things should end with the Muppets, here is Bookriot with a roundup of literary-related Muppet antics. Enjoy!

Book Review: Ashley Bryan’s Puppets

A new book from Ashley Bryan.

A new book from Ashley Bryan.

One of our central principles in creating puppets is to be sustainable wherever possible. We source our materials carefully, using recycled or second-hand supplies as much as we can and we teach others to do the same in our Puppets From Recycled Materials workshop. However, the master of creating puppets this way has to be author-illustrator Ashley Bryan, who just published the book Ashley Bryan’s Puppets with Simon & Schuster.

Bryan, who is 91 years old, lives on one of the Cranberry Isles off the coast of Maine. On his walks on the beach he collects debris and shells, which he turns into intricate puppets in his studio. Ashley Bryan’s Puppets is a large picture book that combines photos of the puppets by Rich Entel with poems by Bryan introducing them to the reader. It opens with a brief author’s note and a picture of Bryan in his studio, which helps to communicate that these puppets are intended as performance, rather than being solely art objects. This is followed by a photo spread of shells, driftwood and sea glass from the beach. The puppets are first shown in groups of around eight, with their names printed below. Then each one is given a spread of close up photos, along with their own poem.

The puppet names are all African in origin and the poems sometimes cite a particular job or character– “I am a cow” “I apprenticed as a printer” –while also specifying the materials used in the creation. “I’ve trained my wishbone whiskers” “My acorn husk eyes” “Head bone, bone face, laughing metal jaws”–all of these lines give the reader a better understanding of the photograph (and the puppet). All of the poems are fun to read aloud and give a good sense of the puppet’s character in performance. This is a beautiful book that will provide inspiration to artists and environmentalists of every age; a celebration of Bryan’s unique artistic vision. I’m looking forward to sharing it with our puppet-making students as part of our workshops!

Persuasive Puppets

While this outspoken puppet might try to sell us on things, I don't think he would do too well in a commercial.

While this outspoken puppet might try to sell us on things, I don’t think he’s that convincing!

Where do you think the average person has seen puppets most recently? At the movie theater, courtesy of the film Muppets Most Wanted? On television, as their kid watches Sesame Street? Or how about in passing, as part of a commercial?

Puppets have been used for commercials for nearly as long as television has been around. Back in the 1950’s, Jim Henson got his start in commercials creating short segments promoting Wilkins Coffee. You can see his two puppets Wilkins and Wontkins here in this set of spots on YouTube:

The two characters were so good at persuading the public to buy coffee, Henson put them to work promoting a whole bunch of different products:

Doing a Google search on puppets in commercials today, however, brings up somewhat less madcap and instead, more creepy clips, such as this DirecTV commercial:

http://www.youtube.com/watch?v=PB33UN2K7-8

While the punch line about ‘no wires’ makes sense in comparison to the marionette, it’s still pretty weird and not that clever. This article in The Guardian highlights other puppets in creepy commercials while this one from Mental Floss rounds up more successful examples, including this more recent Muppets spot:

http://www.youtube.com/watch?v=wzFMd9QoAJQ

Henson’s ads for Wilkins were wildly successful, as well as groundbreaking for the time period. Do you think puppets can still persuade us to buy things? Or are we too cynical about having our strings pulled to go along with it?