Backstage at Kismet

Each performance of Cabinets of Kismet moves quickly and there is little time to stand still or relax. Everyone is constantly picking up puppets, shifting set pieces, prepping puppets or props or lights and getting into place. But I did manage to sneak my phone backstage last week and take a few snaps of the silliness that ensues in our idle seconds. Amie loves Text Monster, as you can see in these photos:

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Amie indicating that all puppets are ready to go.

Amie making a face at paperfish. 

Waiting with Widget behind a unit.

Waiting with Widget behind a unit.

 

 

 

 

 

Waiting for the video sequence to finish, in the light of the projector.

Waiting for the video sequence to finish, in the light of the projector.

 

 

 

Kismet Photos

Only one weekend left to see The Amazing and Marvelous Cabinets of Kismet! We recommend buying tickets online–we have a relatively small number of seats and would hate to have you miss out. I’m excited to be able to share some of our beautiful production photos todaytaken by C. Stanley Photography!

Kismet, discovering that his world has been destroyed.

Kismet, discovering that his world has been destroyed.

Puppeteer Amie Root, with Lightbulb Head.

Puppeteer Amie Root, with Lightbulb Head.

Matt Reckeweg and Genna Davidson, with Kismet and Jellybird.

Matt Reckeweg and Genna Davidson, with Kismet and Jellybird.

Puppeteers Amy Kellett, Cecilia Cackley and Genna Davidson, with Nurse, Zoom and King Lamp.

Puppeteers Amy Kellett, Cecilia Cackley and Genna Davidson, with Nurse, Zoom and King Lamp.

 

 

Meet Puppeteers Amie Root and Matt Reckeweg

We’ve had some casting changes in The Amazing and Marvelous Cabinets of Kismet over these past few weeks, due to some unforeseen circumstances. As a result, we are thrilled to welcome Amie Root and Matt Reckeweg to the project!

Amie RootAmie Root is a performer, fight director, choreographer, stage combat and movement instructor based out of Washington, DC. She graduated from the University of Wisconsin-Stevens Point with a BA in Drama, with a focus in physical theatre. She currently works as a teaching artist for the Tony award winning Shakespeare Theater Company, DC. She has taught movement and stage combat courses at University of Kentucky, University of Nebraska-Lincoln, Regent University-Virginia Beach, Kennesaw State University, as well as the three week National Stage Combat Workshop hosted by North Carolina School of the Arts and returned, for a third year, to the three week Central Illinois Stage Combat Workshop hosted by Eureka College. She is also guest artist faculty for California State University’s Summer Arts program hosted by CSU-Monterey Bay.

Matt ReckewegMatt Reckeweg is a director, puppeteer, visual artist, and a DC area native. He studied Theatre at the University of Maryland, College Park where he was a member of the improvisational theatre group, Erasable Inc. In 2009, he co-founded Pointless Theatrea DC non-profit organization dedicated to creating original works of puppet spectacle, where he currently serves as Co-Artistic Director. Pointless directing credits include: Canterbury (2013), Minnie the Moocher (2012), Hugo Ball: a Super Spectacular Dada Adventure (2011)and The Sleeping Beauty: a puppet ballet (2010). Pointless design credits include: Imagination Meltdown Adventure (2012), and The Solar System Show(2010). Other credits include performing at the Puppet Co. in Glen Echo, and designing for Flying V TheatreIn addition, Matt also teaches puppetry and improv through various schools and local organizations including Arena Stage.