Peacocks and Puppets

Although we mainly work with puppets for the theater, last month we had the opportunity to work on a short film project with She Monster Productions up in New York City. It was a video for the song ‘The Waltz’ by Ian Axel and featured several Muppet-style puppets alongside human actors. The puppets were provided by us and the New York based puppet company Puppetsburg. Set partly in the city and partly in an afterlife with a decaying, ornate feast, the video follows two women as they find each other, are separated through death and then find each other again.

Puppetry for film is very different than for the stage, and although our arms got tired, it was fun to try moments over and over again, with no thought for an audience’s patience or sight lines. Everyone connected with the project was creative and eager to try new things. And we got to meet a peacock! His name was Dexter and he wasn’t all that thrilled with tons of people and puppets invading the apartment where he lives, so while it would have been fun to have the puppets try and interact with him, we resisted. Here are some photos of the shoot. We will share the video when it is finished!

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Emily and Cecilia resting between shots.

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The feast table, set with all kinds of odd objects.

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Cecilia taking a quick nap behind the table.

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Puppets with one of the actors. They  look cute, but they can be dangerous!

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Peacock! Say hi to Dexter.

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SAUDADE Process Video

Saudade7This video contains some of the various pieces of the process it took to create Saudade: building shadow puppets, experimenting with movement on the various screens and finally the moving crankie and puppets in the finished piece. We hope you enjoy it!

 

Meet Emily Marsh

We’re super excited to welcome Emily Marsh to the Wit’s End team as a puppeteer! She will be performing in Saudade at the Atlas INTERSECTIONS Festival at the end of February.

_AB17224Emily MarshPrintEmily Marsh is a singer, actor, puppeteer, and teaching artist based on the east coast. In 2013 she graduated with a BFA in theatre performance from Virginia Commonwealth University. Emily also received training at the Dah Theatre International School, an experimental theatre company based out of Belgrade, Serbia. As a puppeteer Emily has performed all over the midwest as a part of Madcap Puppets, a puppet company based out of Cincinnati OH. She has also performed with Brooklyn Puppetry Arts and interned with Lone Wolf Tribe, a puppetry companies based out of NYC.

IMG_2253As an actor Emily has performed both internationally (Cibiu International Theatre Festival) as well as locally (Imagination Stage, Capital Fringe Festival, KP Educational Theatre) Favorite credits have included Emily’s self-produced solo show Transfixed By the Dahlia performed as part of the United Solo Festival in NYC, and Beirut at Shafer St. Playhouse in Richmond VA. Emily is very excited to be a part of Wit’s End Puppet’s premiere performance of Saudade. When Emily isn’t playing pretend or wiggle dolls, she enjoys causing a ruckus and eating breakfast for dinner.

Building SAUDADE #2

In shadow puppetry, the light is as important as the puppet. In reality, you are manipulating not the object but the space between the object and the light. Not surprising, then, that we spend a lot of time playing with different lights, lightbulbs and light placements to see what works best for any given show. Since this is the first time we’ve used our new screen setup created by Genna, experimenting is the name of the game. A few photos from the week:

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Should we use a combination of warm and cool light?

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Or all screens lit with the cooler tone?

Genna and Emily work on placing a clip light.

Genna and Emily work on placing a clip light.