A Look Back at 2017

It’s been a year when I look back and many things blur together in my memory. So much happened–in the world, in our city, in our personal lives–that it’s hard to remember specifics. I know we did a lot of work. I remember the stress, the late nights, the many emails back and forth. But sometimes the accomplishments disappear in hindsight, so I think it’s important to think back and list the highlights of the year.

IMG_5806

  • Minneapolis tour! This adventure from last June was definitely the project that took the most planning, organization and money. It has been a goal of mine to go on tour with Saudade pretty much since I conceived the idea of the show, so this was truly a dream come true.
  • Welcoming a new company member! Nina Budabin McQuown has added so much to our team this year. From their research and script-writing on Malevolent Creatures, to their thoughtful blog posts about trash and podcasts here, Nina has brought ideas, energy and enthusiasm to the party, getting us all more excited about our next projects. FullSizeRender copy
  • A focus on community! In our conversations as a company after Nina joined us, we came to the conclusion that we wanted to re-focus our time and energy not just on creating our own work, but on engaging and connecting with other artists as well. Pat came up with the idea of the Puppet Lobby as a way of facilitating those connections and along with the Puppet SlamNation organized by Genna Beth, it has  been a great way to meet other artists, share ideas and learn more about our craft. IMG_6341
  • Page to Stage! This is another milestone I’ve been wanting to hit for awhile. The Kennedy Center’s Page to Stage Festival is a great way for local companies to try out new work in front of an audience. Our problem has always been that most of our work is wordless, and therefore not an easy fit for a staged reading. It was great to be able to share Selkie’s story with a sold-out house in the Israeli Room and get their feedback on the story. With any luck, we’ll be able to build on that experience as we go back to Selkie to prepare for our next workshop in March.

Despite it’s many challenges, 2017 has had good moments. As our politicians focus their energy on tearing down structures of equality and safeguards to the environment, we will focus our energy on serving our community, connecting with other artists and making the best puppet theater we can. If you were able to join us this year, thank you for your support! If you’re just finding out about our work, welcome and we looking forward to sharing puppets with you in 2018. Happy New Year!

 

Advertisements

Announcing The Puppet Lobby!

In comparison to other art forms, the puppetry world is quite small. There aren’t hundreds of museums devoted to it, or dozens of performance spaces presenting it nearly every week of the year. Many puppeteers work solo, and only see their fellow puppet artists at festivals–when they have the resources and time to travel.

In an effort to foster community and knowledge, we have decided to try and create a regular space for puppeteers to gather and learn from each other in Washington, DC. We are calling this series of conversations The Puppet Lobby, as they will take place in the Selman Gallery that is the lobby of the Brookland Artspace Lofts. Our first conversation will be Monday, September 18 at 7pm and we hope you will join us for what is sure to be a fun, informative evening.

We have two great speakers for this first edition of The Puppet Lobby; master puppeteer Ingrid Crepeau and our own Genna Beth Davidson. Ingrid is a longtime resident of the Washington area and has built puppets for a wide variety of theaters including her own children’s theater company DinoRock. On Monday she will speak about building body puppets and mascots, an expertise she provides to just about every professional DC sports team. For more about Ingrid Crepeau, this Washington Post article is a great read. Genna Beth will be talking about Selkie, the main puppet in the second part of our work-in-progress show Malevolent Creatures. Selkie is a character who has to change between being human and being a seal, and Genna Beth is in the midst of figuring out how to make that happen.

 

Touring Minneapolis

We completed one of our long-time goals for the company this year, taking the show Saudade on an out-of-state tour to Minneapolis, Minnesota. We chose the city because of its strong local puppet scene, anchored by In the Heart of the Beast Puppet and Mask Theater, which was kind enough to put us in touch with one of our venues. After six shows in five days, we were tired, but very satisfied with our work. Here are some photos of the shows and our adventures.

IMG_5735

We had to take apart the crankie box and reassemble it when we arrived, always a slightly nerve-wracking task!

img_5766.jpg

St. Paul’s Lutheran Church, which put up this lovely bilingual sign, had us speak to their arts and leadership youth group before the performance.

IMG_5765

The backstage view at St. Paul’s Lutheran Church.

img_5767.jpg

One of the kids from the youth arts group at St. Paul’s tries out a puppet after the show. “It’s not too hard–you just have to get the hang of it!” he told a younger kid.

IMG_5778

The beautiful arch at The Southern Theater, a building that has seen many changes.

IMG_5806

Genna Beth, Cecilia and Amy at the sculpture ‘Spoonbridge and Cherry,’ part of the Minneapolis Sculpture Garden near the Walker Art Center.