We had a blast at the 2nd annual DC Puppet SlamNation on November 2nd at the Takoma Park Community Center. We were thrilled to welcome fellow puppeteers from Baltimore, as well as Takoma Park and Washington, DC for a great night of puppetry for all ages. If you missed the event or just want to relive the magic, here are a few shots of the acts.
It’s been a year when I look back and many things blur together in my memory. So much happened–in the world, in our city, in our personal lives–that it’s hard to remember specifics. I know we did a lot of work. I remember the stress, the late nights, the many emails back and forth. But sometimes the accomplishments disappear in hindsight, so I think it’s important to think back and list the highlights of the year.
- Minneapolis tour! This adventure from last June was definitely the project that took the most planning, organization and money. It has been a goal of mine to go on tour with Saudade pretty much since I conceived the idea of the show, so this was truly a dream come true.
- Welcoming a new company member! Nina Budabin McQuown has added so much to our team this year. From their research and script-writing on Malevolent Creatures, to their thoughtful blog posts about trash and podcasts here, Nina has brought ideas, energy and enthusiasm to the party, getting us all more excited about our next projects.
- A focus on community! In our conversations as a company after Nina joined us, we came to the conclusion that we wanted to re-focus our time and energy not just on creating our own work, but on engaging and connecting with other artists as well. Pat came up with the idea of the Puppet Lobby as a way of facilitating those connections and along with the Puppet SlamNation organized by Genna Beth, it has been a great way to meet other artists, share ideas and learn more about our craft.
- Page to Stage! This is another milestone I’ve been wanting to hit for awhile. The Kennedy Center’s Page to Stage Festival is a great way for local companies to try out new work in front of an audience. Our problem has always been that most of our work is wordless, and therefore not an easy fit for a staged reading. It was great to be able to share Selkie’s story with a sold-out house in the Israeli Room and get their feedback on the story. With any luck, we’ll be able to build on that experience as we go back to Selkie to prepare for our next workshop in March.
Despite it’s many challenges, 2017 has had good moments. As our politicians focus their energy on tearing down structures of equality and safeguards to the environment, we will focus our energy on serving our community, connecting with other artists and making the best puppet theater we can. If you were able to join us this year, thank you for your support! If you’re just finding out about our work, welcome and we looking forward to sharing puppets with you in 2018. Happy New Year!
By Genna Beth Davidson
When I took on the endeavor to organize and produce a puppet slam (our first Puppet SlamNation!) this September, I was feeling ambitious and motivated in a way that I haven’t felt before in my life. It was a new and exhilarating leadership experience for me. You see, I was always the kid who took on leadership roles begrudgingly because no one else would step up to the plate. I think my peers have thought of me as a leader, but I’ve never really wanted to be one. I’ve also always felt crippling anxiety when it comes to the responsibilities of running the show. I think several factors helped me take on this recent endeavor and get beyond the anxiety.
First off, and this is the biggest thing, my mental health is finally under control. I thought for years that I just wasn’t as capable as others seem to be at getting projects underway and seeing them through to a successful end. I blamed myself and thought “I’m just not good enough.” But I now see that depression and anxiety were the problem, and those disorders are not really me. Planning the SlamNation, I still had anxiety, but it came and went and most days I felt positive and motivated, and thus I could send emails that needed to be sent and thought through logistics that needed thinking through.
The second factor pushing me to take on the role of producer was the relative invisibility of puppet artists in DC. I know so many fabulous, creative and inspiring artists who do puppetry not just for kids but for adults! I want their work to be shared because I know it will be valued, and it’s mind bending for adults to realize what puppetry offers adults. I want there to be a vibrant puppetry arts scene in the DC region. So I guess there was a little bit of the same thing I experienced as a kid: no one else is doing this, so I’m going to take it on. Only this time I didn’t do it begrudgingly.
Finally, I’ve always loved the way Black Cherry Puppet Theatre in Baltimore has given space to all sorts of puppet performance artists at various levels and stages of production. They put on their Puppet Slamwich shows pretty regularly (look out for the next one on November 11, 2017), and it’s always a wonderful and supportive environment for artists to join. The great thing about their puppet slams is that the audience gets a huge variety of skill, talent, vision and story to digest. If an artist is trying out a new piece, and parts of it don’t work, it’s okay. Some people have complete, solid, winning shows, and some people are just starting out. The novices among us are supported and encouraged. It’s all a chance to play and grow. So I wanted to bring this style to the Wit’s End Puppet SlamNation.
Now that I’ve organized one slam, I can’t wait to do another one. There are many things I’ve learned from the experience. Here are some of them. 1.) Always have a stage manager. Our very own Amy Kellett took on the role for me this time. I mistakenly thought I could do that, but it’s not my skill set AND I had too many other things to take care of. I thank her a thousand times for realizing I was in need of her skills and for stepping into that role without me having to ask. Next time, I’m booking a stage manager from the get-go. 2.) Trust that people will commit. So much of my anxiety was from this nagging thought at the back of my mind saying performers will back out at the last minute. No one did! I will have more faith next time. 3.) Always ask questions to the venue manager and don’t worry about if you’re being a bother (again – the anxiety disorder). The We Are Takoma series who gave us a space and time for the slam handled things beautifully, but I could have asked more questions upfront to lessen my anxiety. 4.) Delegate as the event date draws near. This happened naturally because I work with awesome people who realized where they could help. Pat took care of programs. Cecilia and Nina managed front of house. Krista was back stage with me managing transitions between shows, and she brought snacks for everyone! And finally, 5.) People will underestimate how long their performances take. This was the only area that I really messed up. The show went on an hour longer than it was supposed to! How did I let that happen?!?! Well 5 mins extra here, 10 mins extra there…it all adds up. Next time I need to think that through more and have wiggle room.
There were also many things that we did right including booking an awesome band (check out Petty Indulgences), having a reception after the show, getting DVD footage of the shows, getting an awesome turn out, putting the more kid friendly shows in the first half of the program, having multiple ways of getting donations, and the list goes on. If you weren’t able to make it to our Puppet SlamNation this time, don’t worry. We’re sure to have another one in 2018. Not sure where. Not sure when. But I’m excited to figure that out early next year. So stay tuned!
It was a real thrill to get to perform alongside so many friends and fellow puppeteers at the first DC Puppet SlamNation on September 23rd. Thanks to support from We Are Takoma, ten puppet performers and a local rock band were able to share their talents at the Takoma Park Community Center for a crowd of a hundred and fifty. Here are a few photos of the night, all by David Moss.
We are very excited to be hard at work again on our show Malevolent Creatures! We first workshopped this piece in the summer of 2014, but it got put on hold for awhile as we focused on building and then performing Saudade. Now we are back at it, exploring the layers of meaning in stories featuring supernatural characters from British folklore.
The first segment of the show, which focuses on a witch from Leicestershire called Black Annis was developed and shown as part of a puppet slam at Black Cherry Puppet Theater in Baltimore this past month. Here are a few photos from rehearsals and the performance. Photos are by Cecilia Cackley and Bill Haas.
Kismet is over and so (almost) is the month of May! With all the work at the theater this month, there has been less time to spend online and out and about seeking new and exciting things. But here are a few:
1. FIGMENT DC has submission forms up! We participated in this fun, free arts event last year and had a blast. If you are creative and have an idea for some kind of interactive arts activity, you should sign up! And if you would rather participate in someone else’s imaginative idea, put it on your calendar and come out to Anacostia for a fun time.
2. Strathmore out in Maryland has a whole bunch of puppet theater on tap for the summer, including our good friend Michael Cotter of Blue Sky Puppet Theater. Our friends at Pointless Theatre should be up there too for the puppet slam on August 2, so head over and say hi to them!
3. These photos by Todd McLellan came up on my radar screen via several different sources. Every time I looked at them, I had to restrain myself from going out and finding some particular tiny piece of machinery that I was convinced could become part of a puppet. Mr. McLellan, if you’re looking to get rid of any scraps, we should talk.
4. The International Toy Theater Festival is being hosted by Great Small Works up at St. Ann’s Warehouse in Brooklyn from June 14-23. If you’re in the NYC area, you should check out the amazing work being done at this colossal event of miniature proportions!
Anyone looking for a fun, unique (and cheap!) night out this Saturday? Look no further than the Puppet Slamwich being presented by Black Cherry Puppet Theater in Baltimore!
For those who have never experienced this kind of event, a puppet slam is a night of short acts by various puppeteers, sometimes with music, that allows performers to experiment with new and different material. For puppeteers who primarily work in children’s theater, this is often a venue for more adult-oriented content; for others it’s an opportunity to workshop unusual ideas.
We will be presenting an excerpt from the first half of The Amazing and Marvelous Cabinets of Kismet, so if you can come, you will be able to see the FIRST EVER glimpse of this brand new show. Black Cherry is located at 1115 Hollins St. Baltimore MD and directions can be found on their website here. Tickets for the event are $7 and can be purchased at http://www.brownpapertickets.com .
We hope to see you there!