We had a blast at the 2nd annual DC Puppet SlamNation on November 2nd at the Takoma Park Community Center. We were thrilled to welcome fellow puppeteers from Baltimore, as well as Takoma Park and Washington, DC for a great night of puppetry for all ages. If you missed the event or just want to relive the magic, here are a few shots of the acts.
It’s been a busy year here at Wit’s End Puppets; a year filled with new work and new friends and collaborators! Here is a list of our top five ‘first’ moments from the year.
4. First Fringe show in way too long!
Our very first show using the name Wit’s End Puppets was back in 2010 for the Capital Fringe Festival. We had a wonderful time working with banished? productions on their piece I Thought the Earth Remembered Me for this year’s festival.
3. First video shoot!
It was a whole new world for us, incorporating puppets into a gothic, lush set for a music video with She Monster Productions.
2. First City Arts Project grant!
We are thrilled that DC Commission on the Arts and Humanities decided to award us a grant to tour Saudade around the city in collaboration with the American Immigration Council and GALA Hispanic Theatre. If you would like to help support this tour and send us to even more places, you can donate here!
1.First International performance!
Traveling to Winnipeg for the Winnipeg International Storytelling Festival was an amazing opportunity. We met so many incredible artists and teachers; people who work every day to help immigrants and refugees in Winnipeg. It was an honor to share our art with them and hear their thoughts and stories.
Here’s to a 2016 that’s just as rewarding and exciting!
Baltimore artist Katherine Fahey designed the puppets and crankie illustrations for SAUDADE. We asked her a few questions about her process and inspiration. Enjoy!
Cecilia Cackley: When did you start building crankies and what draws you to them as an art form?
Katherine Fahey: I started making crankies in the beginning of 2011, when I was making a music video for Wye Oak called Fish. My first crankie was made as part of a larger shadow puppet piece. That was when I started to see for the first time that I could perform with my artwork. This was exciting and frightening to me. I have always admired the connection performers have with their audience, but I am a pretty shy person. I was excited to be able to combine my passions for shadow puppetry, paper cutting , music, and storytelling together, but wasn’t so excited about getting up in front of people.
CC: Who are some of the artists that inspire you?
KF: My creative community mostly. All the folks at Black Cherry Puppet Theater (Valeska Pupoloh, Michael Lamason, Lisa Krause, Jenn Strunge, Kevin Sherry, and Porch Puppets), Erik Ruin, Nanaprojects , William Schaff, Anna Robert Gevalt, Elizabeth Laprelle, and all of the other crankie makers, paper cut artists, story tellers, and puppeteers out there.
CC: What were some of the challenges in designing Saudade?
KF: I have a lot of experience working with other artists, but have become accustomed to just coming up with a show on my own from start to finish. It was different to have to stop and ask Cecilia what she meant and try to see things through her eyes. We spent a good amount of time editing scenes together so that they could be translatable to shadow puppets and a crankie.
The puppets for Saudade are designed by Katherine Fahey, a Baltimore-based artist and puppeteer. They are cut from poster board and pieces are connected with fishing line joints and operated with either wooden or metal rods. In this short video, I’m creating a puppet of a teacher character. It’s a process that takes a lot of time, patience and precision with an X-acto knife.
We’re in full puppet-building mode right now for Saudade, our next original puppet play which will premiere as part of the Atlas INTERSECTIONS Festival in DC at the end of February.
This piece is all shadow puppets, which are being designed by Katherine Fahey, a crankie artist from Baltimore whose work we’ve been in love with for awhile. Here’s Katherine at one of our design meetings, looking mischievous:
Saudade will use a setup similar to our piece Coyote Places the Stars in the sense that it uses multiple screens, but visually it will be much, much bigger. You can see Genna here, posing with the PVC frame she’s been working on to support all the screens:
While not a traditional linear story, this play draws on the experiences of immigrants to the DC area, many of whom I had the pleasure of interviewing last summer through a partnership with REEP, an adult education program that is part of the Arlington Public Schools. Now I’m finally getting to cut out puppets of characters inspired by these incredible people, who bring so much to our communities here in the DC area. We’re looking forward to sharing their stories with you, too.
1. I was lucky enough to catch the work of the marvelous Baltimore artist Katherine Fahey at a Puppet Underground cabaret this week. She creates beautiful shadow puppet ‘crankies’ for music videos and other stories. Check out some of her work here and here.
2. One of the places that has long been on my ‘To Visit While in NYC’ list is the Museum of the Moving Image in Queens. Now that they have announced the upcoming Henson Gallery, devoted to all things Muppet, I think it should move to the top of the list.
3. Baby Universe is a play opening next week at Studio Theatre, that combines puppets with a variety of other media. I won’t be able to see it, but it looks amazing, so you should all go and then tell me about it!
4. Our friends at SCRAP DC have announced their Summer Carnival! Cake walks, lemonade, face paint and games and best of all, all the proceeds go to helping this fantastic crew continue to bring us unique, affordable and recycled arts supplies. Tickets available here.